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Art, Egyptian --- Symbolism in art --- Allegory (Art) --- Signs and symbols in art --- Art --- Egyptian art
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Allegories --- Art, Modern --- -Art, Modern --- -Modern art --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Themes, motives --- -Themes, motives --- Subjects --- Art --- 19e-20e siecles
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Allegories --- Arts, Polish --- -Polish arts --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- -Allegories --- Polish arts --- Art polonais --- Nationalisme et art --- 19e siecle --- Pologne
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Die Wiederholung des in Antike und Barock verankerten Vanitas-Motivs in der Kultur der Gegenwart mag anachronistisch anmuten. Dabei passt sie nicht nur zu einer Reihe anderer, aktueller Praxen, Vanitas thematisiert selbst bereits Wiederholung als das, was dann erst seit dem 19. Jahrhundert kontrovers diskutiert wurde: dass sie eine zentrale Rolle bei der Verhandlung von Identität, bei der Situierung des Selbst in der Geschichte, bei der Wiederkehr und Transformation des Verdrängen und Verschütteten oder der Beurteilung des Selben im Anderen spielt. All das zeigt sich, sobald eine Auseinandersetzung mit der Wiederholung der Vanitas - dem zumindest in der westlichen Kultur zentralen Entwurf über Vergänglichkeit und Vergeblichkeit - aus philosophischer, kulturtheoretischer, psychoanalytischer sowie kunst-und literaturwissenschaftlicher Sicht unternommen und überdies mit fernöstlichen Vorstellungen konfrontiert wird. Aktuelle Bearbeitungen der Vanitas positionieren sich selbstreflexiv, kritisch und politisch; damit entfalten sie Potenziale des Motivs, die immer schon angelegt waren, aber womöglich erst jetzt realisierungsbedürftig sind. Vanitas does not just address ephemerality but also the relationship of the self to history; it negotiates identity and positions itself both self-critically and politically. In which contexts does contemporary culture take up this established motif of antiquity and the early modern period? Interdisciplinary considerations show how productive it can be to answer this question by reflecting on it in light of discussions about repetition.
Symbolism in art. --- Vanitas (Art). --- LITERARY CRITICISM / European / General. --- Vanitas. --- identity. --- philosophy of history. --- theory of repetition. --- Symbolism --- Allegory (Art) --- Signs and symbols in art --- Art
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Iconography --- Antiquity --- Greece --- Allegories --- Allegorieën --- Allégories --- Arts and society --- -Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Social aspects --- -Allegories --- -Allegory (Art) --- Arts --- Arts and society - Greece. --- Allegories.
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Half-open door in art --- Sepulchral monuments --- Relief (Sculpture) --- Symbolism in art --- Monuments funéraires --- Symbolisme dans l'art --- -Sepulchral monuments --- -Symbolism in art --- -Allegory (Art) --- Signs and symbols in art --- Art --- Funeral monuments --- Funerary monuments --- Graves --- Gravestones --- Memorial tablets --- Tablets, Memorial --- Tombstones --- Monuments --- Sculpture --- Allegory (Art) --- Monuments funéraires --- Tombeaux
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Iconography --- Unicorns in art --- Symbolism in art --- Art --- Themes, motives --- Allegory (Art) --- Signs and symbols in art --- A.R.T. --- Tommasini, Amadeo R. --- Tommasini, Tommy --- Themes, motives. --- Symbolism in art. --- Subjects --- Art - Themes, motives --- Symbolisme des animaux
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17.036.21 --- Allegories --- Dialogues, Greek --- Philosophy, Ancient --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- Greek dialogues --- Greek literature --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Stoïcisme. Stoa --- 17.036.21 Stoïcisme. Stoa
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Iconography --- anno 500-1499 --- Art, Medieval --- Art médiéval --- Themes, motives --- Thèmes, motifs --- Signs and symbols in art --- 7.04 "04/14" --- 7.041 --- -Symbolism in art --- -Allegory (Art) --- Art --- Medieval art --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Middeleeuwen --- Iconografie: de mens; portret; handeling; genre --- Symbolism in art --- Themes, motives. --- Allegory (Art) --- 7.041 Iconografie: de mens; portret; handeling; genre --- 7.04 "04/14" Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Middeleeuwen --- Art médiéval --- Thèmes, motifs --- Subjects --- Art, Medieval - Themes, motives --- Iconographie --- Illustrations, images, etc. --- Signes et symboles --- Symbolisme dans l'art --- Moyen age --- Moyen âge
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Monuments --- Statues --- Symbolism in architecture --- Symbolisme en architecture --- Rome --- History --- Histoire --- Portrait sculpture, Roman --- Art and state --- Symbolism in art --- -Monuments --- -Portrait sculpture, Roman --- -Statues --- -Symbolism in architecture --- -Symbolism in art --- -Allegory (Art) --- Signs and symbols in art --- Art --- Architectural symbolism --- Signs and symbols in architecture --- Architecture --- Statuary --- Sculpture --- Roman portrait sculpture --- Historical monuments --- Historic sites --- Memorials --- Public sculpture --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- Government policy --- -Art and state --- Allegory (Art) --- Monuments - Italy - Rome. --- Portrait sculpture, Roman - Italy - Rome. --- Statues - Italy - Rome. --- Symbolism in architecture - Rome. --- Art and state - Rome. --- Symbolism in art - Rome. --- Triomphes romains --- 510- 30 av. j.-c. (republique)
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